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রবীন্দ্রনাটক এবং গুপী-বাঘা ত্রয়ী - Atmadeep

An International Peer-Reviewed Bi-monthly Bengali Research Journal
ISSN :: 2454–1508
DOI Prefix: 10.69655
Upcoming Issue: 31 July, 2025
Starting Year: 2024
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
Volume-I, Issue-V, May 2025
Volume-I, Issue-V, May, 2025
Received: 21.05.2025
Accepted: 24.05.2025
Published Online: 31.05.2025
Page No: 1159-1171
DOI: 10.69655/atmadeep.vol.1.issue.05W.117
রবীন্দ্রনাটক এবং গুপী-বাঘা ত্রয়ী
অর্ঘ্যদীপ ব্যান্যার্জী, রাষ্ট্রীয় সাহায্য প্রাপ্ত কলেজ শিক্ষক, কলকাতা বিশ্ববিদ্যালয়, কলকাতা, পশ্চিমবঙ্গ, ভারত
Rabindranath’s Plays and the Guppi-Bagha Trilogy
 
Dr. Arghyadip Banerjee, State Approved College Teacher, Calcutta University, Kolkata, West Bengal, India
ABSTRACT
Rabindranath Tagore & Satyajit Ray, two legendary personae in area of Art & Culture. There are many similarities we can find between them through their art form & content. In this particular essay we are trying to imply a comparative study on their art & thought process, especially political. State & Nation are the key words here. We have chosen allegorical dramas (mainly) of Tagore and so-called childrens’ films (Gupi Bagha Trio) of Ray, as main texts to decode their ironies & allegories in these. Also have highlighted the usage or requirments of this kind of symbolic play work. This kind of exercise is not only for art’s sake but also for political reason, but not the sake of typical party politics, here canvas is vast. Both of them are addressed as Humanist (though loosely), so their political view is manifestation of Mankind, and it’s also a part of their own philosophy. Here we will discuss the ‘POLITICAL PHILOSOPHY’.
Keyword :
  • Tale
  • Symbol
  • State
  • Nation
  • Humanism
  • Interpretation
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Bi-monthly Bengali Research Journal
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