Volume-II, Issue-II, November 2025
Volume-II, Issue-II, November, 2025 |
Received: 01.10.2025 | Accepted: 11.11.2025 | ||
Published Online: 30.11.2025 | Page No: 443-450 | ||
DOI: 10.69655/atmadeep.vol.2.issue.02W.227 | |||
ব্রাত্য বসুর ‘রুদ্ধসংগীত’: প্রতিষ্ঠানের বিরুদ্ধে প্রতিবাদী বয়ান রবিউল সেখ, গবেষক, বাংলা বিভাগ, বর্ধমান বিশ্ববিদ্যালয়, পশ্চিমবঙ্গ, ভারত |
Bratya Basu’s Ruddhosongeet: A Protest Narrative Against the Establishment Robiul Seikh, Research Scholar, Department of Bengali, Burdwan University, West Bengal, India | ||
ABSTRACT | ||
Dr. Bratya Basu Roychowdhury’s anti-establishment tone is an important aspect of his writings. His plays have come up with a direct protest against contemporary times and contemporary politics and institutions. We will see the manifestation of Bratya Basu’s protest narrative in his protest narratives in plays like ‘Ruddha Sangeet’ and ‘Winkle Twinkle’. In the 'Ruddha Sangeet' play, on the one hand, the government-institution’s conflict with the artist and the artist’s self-esteem has taken place side by side. Bratya Basu’s anti-establishment tone against the empowerment of the ruling government has taken place in this work. This article examines Bratya Basu’s protest narrative by analyzing the politics reflected in his prose, essays, interviews and other theater personalities’ praise and criticism of his political plays. | ||
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