Volume-I, Issue-V, May 2025 > Volume-I, Issue-VI, July 2025 > Atmadeep, Volume-II, Issue-I, September 2025
Volume-II, Issue-I, September, 2025 |
Received: 25.09.2025 | Accepted: 28.09.2025 | ||
Published Online: 30.09.2025 | Page No: 111-118 | ||
DOI: 10.69655/atmadeep.vol.2.issue.01W.186 | |||
‘কৃত্তিবাসে’র আলোয় শঙ্খ ঘোষ: দেশ-কাল-সমাজ ও মানুষের সংবেদনশীল বয়ান শিরিন আক্তার, লেকচারার, বাংলা ভাষা ও সাহিত্য বিভাগ, ইউনিভাসির্টি অব লিবারেল আর্টস বাংলাদেশ, ঢাকা, বাংলাদেশ |
Shankha Ghosh in the Light of Krittibas: A Sensitive Narrative of Nation, Time, Society and Humanity Shirin Akter, Lecturer, Dept. of Bengali Language and Literature, University of Liberal Arts Bangladesh (ULAB), Dhaka, Bangladesh | ||
ABSTRACT | ||
Shankha Ghosh was one of the leading literary figures of the 1950s. The inner and outer dimensions of this proverbial poet’s soul find vivid expression throughout his poetry. His works bear the mark of both the traditional wisdom of Bengali poetry and a conscious insight shaped by a global perspective. Alongside his introspective awareness, the poet was equally stirred by an acute sensitivity to the external world. By giving voice to his inner feelings and transforming them through the alchemy of his poetic sensibility, Shankha Ghosh infused his verses with a unique vitality. As a result, his poetry inevitably reflects the spirit of his time — the nation, society, and the human condition surrounding him. His personal consciousness blends seamlessly with social awareness, and that social awareness, in turn, connects to a broader cosmopolitan vision. The consequences of the state’s shortsighted decisions, the suffering of the common people, the dominance of power structures, and his compassionate yet protest-driven poetic stance deeply move and engage any lover of poetry. This paper seeks to explore how this social consciousness resonated within the poet’s inner world during his time, and how that inner awareness blossomed into poetry — how it took shape, through the craft of words, as flowers on the tree of his poetic vision. | ||
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