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শৈলী চিন্তার আলোকে শীর্ষেন্দু মুখোপাধ্যায়ের কিশোর উপন্যাস: ‘পাতাল ঘর’ - Atmadeep

An International Peer-Reviewed Bi-monthly Bengali Research Journal
ISSN :: 2454–1508
DOI Prefix: 10.69655
Upcoming Issue: 10 April, 2026
Starting Year: 2015
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
Volume II,Issue IV, March 2026
Volume-II, Issue-IV, March, 2026
Received: 21.03.2026
Accepted: 24.03.2026
Published Online: 31.03.2026
Page No:
DOI: 10.69655/atmadeep.vol.2.issue.04W.
শৈলী চিন্তার আলোকে শীর্ষেন্দু মুখোপাধ্যায়ের কিশোর উপন্যাস: ‘পাতাল ঘর’
 
 
ড. সবিতা বিশ্বাস, স্বাধীন গবেষক, শিলচর, অসম, ভারত
Shirshendu Mukhopadhyay’s Juvenile Novel Patal Ghar in the Light of Stylistic Thought
Dr. Sabita Biswas
, Independent Research Scholar, Silchar, Assam, India
ABSTRACT
This article examines the stylistic features of Shirshendu Mukhopadhyay’s juvenile novel Patal Ghar through the lens of stylistics. Style, as a manifestation of an author’s individuality, reflects distinctive linguistic choices in terms of diction, syntax, and narrative technique. Drawing upon theoretical perspectives from scholars such as Arun Kumar Mukhopadhyay and Pabitra Sarkar, the study highlights how stylistics serves as a scientific method for analyzing literary language.
The paper contextualizes children’s and adolescent literature in Bengali literary tradition before focusing on the stylistic traits of Patal Ghar. It identifies key features such as the predominance of short and simple sentences, along with the use of complex, compound, and mixed sentence structures. The narrative also employs T-units, incomplete sentences, and conversational language to maintain accessibility and engagement for young readers.
Further, the study explores the use of verbs (including impersonal and compound forms), onomatopoeic expressions, reduplication, slang, and code-switching as integral stylistic devices. The novel’s discourse structure alternates between descriptive and dialogic modes, enhancing narrative dynamism. Additionally, figures of speech like imagery and simile contribute to vivid visualization and emotional resonance.
Overall, the article argues that Mukhopadhyay’s stylistic craftsmanship— marked by simplicity, variety, and expressive richness— effectively caters to the cognitive and imaginative world of adolescent readers, establishing him as a significant figure in Bengali juvenile fiction.
 
Keyword:
  • Stylistics
  • Juvenile Literature
  • Narrative Style
  • Bengali Fiction
  • Language and Expression
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