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প্রকৃতি, প্রযুক্তি ও মানবসত্তা: মঈনুল আহসান সাবেরের সীমাবদ্ধ গল্পগ্রন্থের পরিবেশগত পাঠ - Atmadeep

An International Peer-Reviewed Bi-monthly Bengali Research Journal
ISSN :: 2454–1508
DOI Prefix: 10.69655
Upcoming Issue: 30 September, 2026
Starting Year: 2015
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
Submission Deadline: 15 September 2026
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
Volume II, Issue VI, July 2026
Volume-II, Issue-VI, July, 2026
Received: 05.07.2026
Accepted: 22.07.2026
Published Online: 31.07.2026
Page No: 2354-2365
DOI: 10.69655/atmadeep.vol.2.issue.06W.497
প্রকৃতি, প্রযুক্তি ও মানবসত্তা: মঈনুল আহসান সাবেরের সীমাবদ্ধ গল্পগ্রন্থের পরিবেশগত পাঠ
মোহাম্মদ অবেদুল্লাহ, প্রভাষক, বাংলা ভাষা ও সাহিত্য বিভাগ, ইউনিভার্সিটি অব লিবারেল আর্টস বাংলাদেশ, ঢাকা, বাংলাদেশ
Nature, Technology, and Human Subjectivity: An Ecocritical Reading of Moinul Ahsan Saber's Short Story Collection Shimaboddho
Md. Abedullah, Lecturer, Department of Bangla Language and Literature, University of Liberal Arts Bangladesh, Dhaka, Bangladesh
ABSTRACT
The world of Bengali short stories is enriched by diverse themes spanning social structures, psychological conflicts, urban existence and nature. Moinul Ahsan Saber, a prominent fiction writer of post-independence Bangladesh, skillfully explores the complexities of urban life, social dynamics and the human mind. His Seemabaddha (Bounded) series of short stories presents a nuanced psychological analysis of characters navigating the stark contrast between mechanical city life and natural environments. This research employs an ecocritical lens to examine how environmental settings dictate behavioral, emotional and psychological shifts in Saber’s characters. The study highlights how the harshness, commercialization and technology-driven routines of urban space induce apathy, isolation, self-centeredness and violent impulses. Conversely, when these characters temporarily escape into natural settings- such as forests, rivers, and mountains; nature acts as a therapeutic catalyst that unburdens them of social inhibitions, restores lost empathy and revitalizes their core humanity. By analyzing stories like Seemabaddha (1-3), Prakritik, Gras, and Hontarak, this paper demonstrates how Saber portrays nature not merely as a scenic backdrop, but as a moral, psychological and aesthetic counterweight to the alienating nature of modern mechanization. Ultimately, the paper analyzes the inevitable tragedy of modern existence: despite experiencing spiritual rejuvenation within nature, individuals remain bound to return to their structured, controlled and mechanical urban realities.
Keyword:
  • Nature
  • Urban Life
  • Psychology
  • Mechanization
  • Technology
  • Ecocriticism
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