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মতি নন্দীর ‘শবাগার’ : সত্তরের উত্তাপদগ্ধ আবর্তে অবক্ষয়ী মন ও হিমশীতল মৃত্যুভয়ের ঊর্ধ্বগামী পারদ - Atmadeep

An International Peer-Reviewed Bi-monthly Bengali Research Journal
ISSN :: 2454–1508
DOI Prefix: 10.69655
Upcoming Issue: 10 April, 2026
Starting Year: 2015
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
Volume II,Issue IV, March 2026
Volume-II, Issue-IV, March, 2026
Received: 20.03.2026
Accepted: 27.03.2026
Published Online: 31.03.2026
Page No:
DOI: 10.69655/atmadeep.vol.2.issue.04W.
তি নন্দীরশবাগার’: সত্তরের উত্তাপদগ্ধ আবর্তে অবক্ষয়ী মন হিমশীতল মৃত্যুভয়ের ঊর্ধ্বগামী পারদ
মহেন্দ্র নাথ পাল, গবেষক, বঙ্গভাষা ও সাহিত্য বিভাগ, কলিকাতা বিশ্ববিদ্যালয়, পশ্চিমবঙ্গ, ভারত
Moti Nandi’s ‘Shabagar’: A Decadent Psyche and the Soaring Mercury of Icy Fear of Death Amidst the Scorching Vortex of the Seventies
Mahendra Nath Paul, Research Scholar, Department of Bengali Language and Literature, University of Calcutta, West Bengal, India
ABSTRACT
The 1970s marked a period of terrifying, turbulent deadlock in the heart of Bengal. On one side stood fierce resistance; on the other, retaliatory repression. Caught in this turbulent vortex of the Naxalite era, human lives drifted like mere straws in the current. The complacent slumber of the mind and consciousness was shattered. The veneer of values—which had, until then, clung fast to human existence—began to crumble away. A chilling fear of death constantly encroached upon and consumed the very last frontiers of human consciousness. As one struggled to cut through the silt of that worm-eaten era, the decay of the human psyche emerged as the sole, undeniable truth. In a single instant, the edifice of familiar human relationships came crashing down in ruins; for when the mind plunges into the very depths of darkness, one no longer feels any imperative to preserve anything at all. Moti Nandi’s short story, ‘Shabagar’ is a harrowing narrative of just such a decaying psyche and the terror born of a chilling fear of death. It is a tale set in the cremation ground of the 1970s, where families stood amidst the ashes, engaging in a macabre ritual of living alongside the dead. As people carried the contagion of this terror, and as the primal instincts—hitherto lurking in the shadows of human nature—crawled out into the open, the responsibility to uphold moral values ceased to exist for anyone. A son’s overwhelming revulsion toward his father—stripping away the veneer of middle-class morality—drove the father to engage in unbridled, anarchic behavior. Thus, in those turbulent times, the worm-eaten psyche poisoned every established convention. All notions of morality and ethical values were rendered utterly trivial. Consequently, the son’s contemptuous attitude toward his father burst forth into the open. And in the wake of this breakdown, the father’s own primal instincts—long dormant in the recesses of his mind—surged forth like a river bursting its banks, transgressing every boundary of decency and propriety to find a stage for their unbridled gratification. ‘Shabagar’ stands as a faithful chronicle of that turbulent era and the conflicted psychological landscape that defined it.
Keyword:
  • The Turbulent Decade of the Seventies
  • The Fear of Death,
  • Moral Conventions
  • Shattered Values
  • A Psychology of Decay
  • Latent Primal Instincts
  • The Chemistry of the Father-Son Relationship
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