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খেতুরি মহোৎসব পরবর্তী সময়ে বঙ্গে বৈষ্ণব-সংস্কৃতি - Atmadeep

An International Peer-Reviewed Bi-monthly Bengali Research Journal
ISSN :: 2454–1508
DOI Prefix: 10.69655
Upcoming Issue: 10 April, 2026
Starting Year: 2015
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
বাংলা ভাষায় প্রকাশিত আন্তর্জাতিক দ্বিমাসিক গবেষণামূলক পত্রিকা
Volume II,Special Issue, April 10, 2026
Volume-II, Special Issue, April, 2026
Received: 04.04.2026
Accepted: 07.04.2026
Published Online: 10.04.2026
Page No:
DOI: 10.69655/atmadeep.vol.2.specialissue.W.
খেতুরি মহোৎসব পরবর্তী সময়ে বঙ্গে বৈষ্ণব-সংস্কৃতি
ড. অনুপমা করণ, স্বাধীন গবেষক,পশ্চিমবঙ্গ, ভারত
Vaishnava Culture in Bengal in the Post-Kheturi Festival Period
Dr. Anupama Karan, Independent Research Scholar, West Bengal, India
ABSTRACT
The article explores the historical and cultural significance of the Kheturi Mahotsav, organized by Narottam Das Thakur in 1582 at Kheturi village in present-day Rajshahi. Narottam, after studying devotional scriptures under Jiva Goswami in Vrindavan, returned to Kheturi and established shrines to Krishna, Radha, and Chaitanya. To mark these installations, he invited all branches of the Vaishnava community, creating what became the first large-scale Vaishnava assembly in Bengal. Despite initial doubts from Srinivas Acharya about the feasibility of such a grand event, the festival drew unprecedented participation, including leading Goswamis, Mahantas, and devotees from across Bengal. The Mahotsav was notable for its inclusivity. Invitations were extended universally, disregarding caste or sectarian divisions. Eminent figures such as Jahnava Devi, Vishnupriya Devi, and Achyutananda, son of Advaita Acharya, attended, lending immense prestige. The event symbolized Bengal’s first ‘national conference’, breaking social barriers by welcoming Brahmins, Kayasthas, Vaidyas, Shudras, and even Muslims into the Vaishnava fold. Raja Santosh Dutta provided hospitality, while Narottam’s revolutionary stance challenged Brahmanical orthodoxy by accepting Brahmin disciples despite his Kayastha origin. This sparked controversy but ultimately broadened Vaishnavism’s social base. The Mahotsav also marked a cultural turning point. It restructured kirtan traditions, incorporating elements of North Indian classical music such as dhrupad and khayal. Narottam’s musical expertise helped systematize devotional singing, shaping the future of Bengali Vaishnava culture. In the aftermath, Gaudiya Vaishnavism spread widely across Bengal. Marginalized groups, including Shudras and Muslims, found dignity and inclusion through initiation by Goswamis. Practices such as accepting food from lower-caste disciples further eroded rigid caste hierarchies. Though internal conflicts between Vrindavan Goswamis and Bengal’s sects persisted, the Kheturi Mahotsav became a landmark in religious and social transformation. It symbolized both the consolidation of Gaudiya Vaishnavism and the democratization of spiritual practice in Bengal.
Keyword:
  • Boishnav
  • Kheturi
  • Chaitanya
  • Narottama Das
  • Jahnaba Devi
  • Birbhadra
  • Srinivas
  • Narahari Sarkar
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